What distinguished 
cabinets of curiosity, the precursors of today's museums, was the juxtaposition of disparate specimens to show their variety. American artist 
Mark Dion achieves just that in his installations. The 
New York Times speaks of "
the curious mix of obsession and emotion on display." Sometimes Dion centers on an individual, like
 American naturalists 
William Bartram (
1739-1823) or Alexander Wilson (1766–1813). He has the enviable privilege of combing through the 
specimens in storage (
1st image) and assembling them into triumphant visual displays of natural history objects in 
hand-built cabinets. "
Appropriating archaeological and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between 'objective' ('rational') scientific methods and 'subjective' ('irrational') influences. The artist’s spectacular and often fantastical curiosity cabinets, modeled on Wunderkabinetts of the sixteenth century, exalt atypical orderings of objects and specimens," reads his 
bio from the Art 21 series on PBS. While his work has graced 
art museums and 
galleries (
2nd image, a preparatory drawing for his 1999 piece at the Museum of Modern Art) around the world in 
group and solo exhibitions, it is his assemblages specific to individual science and natural history museums* - some of them installed permanently - that I find particularly compelling. 
Sibella Court comments that the process is as important as the finished piece. Dion himself writes: "
By critically analyzing the master narratives and techniques of display employed by the institution, I can discern the ideology embedded in them. Being critical may also be just another way to love these museums." Mark Dion has delivered many 
lectures and received numerous awards. Read more about his work 
here.
*
Here is a partial list:
Musée Océanographique, Monaco
 Springhornhof Institute of 
Neolithic Archeology, Germany 
Natural History Museum, England (3rd image)
Musée  de la Chasse et de la Nature,France
Historisches Museum, Germany
Fabric Workshop and Museum, United States
Musée Gassendi and la Reserve Geologique de Haute Provence, 
France
University of Tokyo Museum, Japan
National Railway Museum, England 
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Previous posts about museums: 
 
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