Showing posts with label Rene Magritte. Show all posts
Showing posts with label Rene Magritte. Show all posts

Sunday, April 10, 2011

Magritte's mermaid


I have been familiar with this great 1935 painting "Collective Invention" (1st image) by Belgian surrealist René Magritte (1898-1967) since my college days, when it was featured on the back cover of a book I still have in the permanent collection. (It is just one of the works by Magritte that make me chuckle.) British cryptozoologist Karl Shuker is apparently as much of a packrat as I am, but had a very different experience with the image. He saw it as a teenager attached to a story from a tabloid magazine (2nd image). Though he knew it was fake, he found it intriguing and added the clipping to the scrapbook he was keeping, and from there it ended up in the files he has to this day. It wasn't until the 1990s that Shuker traced the image to the paintbrush of Magritte. It wouldn't be the 1st mermaid hoax to be perpetrated on the public...

Wednesday, August 26, 2009

Rene Magritte
















I always got a kick out of the paintings of Belgian surrealist Rene Magritte (1898-1967). I was looking over my Mom's shoulder today at a furniture catalog she was perusing and saw some styles of what I like to call "fainting couches." They immediately reminded me of Magritte's portrait of Madame Recamier (top), which parodies an unfinished portrait from 1800 by Jacques-Louis David (1748-1825). But to my delight, I have found that she was not the only subject to be depicted as a coffin by Magritte. Above are two similar paintings from a series called "Perspective" and the originals which they parodied: "Portrait of Madame Recamier," 1802 by Francois Gerard (1770-1837) and "The Balcony," c. 1868-1869 by Edouard Manet (1832-1883). Ironically, it is David's painting that springs to mind first, though the painter left it unfinished when he found out Gerard was painting the same subject. The surname of the woman in question, Jeanne-Francoise Julie Adelaide Recamier* (1777-1849), has become synonymous with the couch upon which she sat.
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*Unfortunately, the new version of Internet Explorer that I downloaded no longer allows me to copy diacritics to my posts, so please excuse the lack of accents in the French names.

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